Eminem
A wonderful thing, irony. It’s allowed for the acceptance of complete and utter old man’s shite in the realm of popular culture throughout the ages. As a result, ABBA are “good”. Tom Jones is “cool”. And Eminem is “tongue in cheek”, “doesn’t really mean it”, etc. Bollocks. Without the spurious benefits of irony, ABBA are “cack beyond imagining”, Tom Jones is “a talentless old fuck who sings like a bull being castrated with steaknife”, and Eminem is “a dumb, redneck piece of shit”, ” a homphobe”, and, he “does really mean it”. For fucks sake, he’s even been quoted as saying that he hates gays! This useless fuck, like so much of today’s music, is a simple case of lowest common denominator, and we all know how much fun they are.
Worse still, he draws exactly the sort of mental midgets to his concerts that identify with him. Ten and eleven year olds saying they’re “down with Eminem because he hates gays”, then there are the dildo loving fourteen year old bitches that like him because he’s “buff” (No worries about them reading the lyric sheet), and the fucking wastes of life who dig him for the so – called danger factor. And what’s all this shit from academics claiming that his lyrics are poetic works worthy of T.S Eliot? What sort of a fucking commendation is that? This may strike you as a bit of a sad statement, but if he was black, would such infamy and acclaim be heaped upon him like offal on a slaughterhouse floor? I’ve got three words for you people, PUBLIC FUCKING ENEMY. Surprise, folks, I’m about to say good about something for a change. Now here are lyrics worthy of being termed “poetic”. Intelligence. Anger. A social conscience. Imagination. Eminem invokes a sick society on a sick society. Public Enemy wanted to change it. Check them out, and then maybe you’ll see sense and throw out those Eminem CDs. Do it now, assholes.